November 30, 2012 mizori
Press 35 – ORF – Piramo e Tisbe November 13, 2016 Maria Taytakova

ORF NÖ | Theaterfest Niederösterreich | 30. 06. 2016

TEATRO BAROCCO – Piramo e Tisbe – Stift Altenburg 2016

Maria Taytakova as Piramo in Bernd Bienert’s production  of  Piramo e Tisbe by Johann Adolf Hasse TEATRO BAROCCO, Stift Altenburg...

ORF NÖ | Theaterfest Niederösterreich | 30. 06. 2016

TEATRO BAROCCO – Piramo e Tisbe – Stift Altenburg 2016

Maria Taytakova as Piramo in Bernd Bienert’s production  of  Piramo e Tisbe by Johann Adolf Hasse TEATRO BAROCCO, Stift Altenburg 2016

Premiere (25.06.2016)

CAST: Maria Taytakova (Piramo), Megan Kahts (Tisbe), Peter Widholz (Tisbe’s father), Gabriel Wanka (Lion), Emanuel Schmelzer-Ziringer (Conductor and cembalo), Bernd R. Bienert (Intendant and stage director).

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Press 34 – Piramo e Tisbe – Kronen Zeitung November 13, 2016 Maria Taytakova

Kronen Zeitung | 27. 06. 2016 | Karlheinz Roschitz

Der Zauber barocker Tragödie 

“The two sopranos, the South African Megan Kahts as Tisbe and the Slovakian Maria Taytakova as Piramo, dominate the scene bravely: their often very long...

Kronen Zeitung | 27. 06. 2016 | Karlheinz Roschitz

Der Zauber barocker Tragödie 

“The two sopranos, the South African Megan Kahts as Tisbe and the Slovakian Maria Taytakova as Piramo, dominate the scene bravely: their often very long recitatives have life, their da-capo arias show imposing force and tension, their coloraturas, on which Hasse – also because of his wife, the famous diva Faustina Bordini – never saved, seductively sparkle.”

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Press 33 – Piramo e Tisbe – Der Neue Merker November 13, 2016 Maria Taytakova

Der Neue Merker | 09. 07. 2016 | Udo Pacolt

ALTENBURG/ Stift: Piramo e Tisbe von Johann Adolf Hasse

“The opera by Hasse was a musical enjoyment of art also due to the small ensemble of singers and the orchestra who came up with an...

Der Neue Merker | 09. 07. 2016 | Udo Pacolt

ALTENBURG/ Stift: Piramo e Tisbe von Johann Adolf Hasse

“The opera by Hasse was a musical enjoyment of art also due to the small ensemble of singers and the orchestra who came up with an excellent performance… the Slovak soprano Maria Taytakova as Piramo performed in a female costume, as it was common in the Baroque period. She shined through the versatile expression of her soprano. The three duets were sung with a vocally wonderful harmony… The enthusiastic audience rewarded all artists for their impressive performance with a frenetic, not ending, applause including several “Brava” for the two sopranos.”

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Press 32 – Piramo e Tisbe – Kurier November 13, 2016 Maria Taytakova

Kurier | 27. 06. 2016 | Barbara Pálffy

TEATRO BAROCCO Liebestragödie im Altenburger Schauderwald: „Piramo e Tisbe“ 

“The elegantly guided voice of Maria Taytakova – Piramo is originally cast also by a soprano – sounds more...

Kurier | 27. 06. 2016 | Barbara Pálffy

TEATRO BAROCCO Liebestragödie im Altenburger Schauderwald: „Piramo e Tisbe“ 

“The elegantly guided voice of Maria Taytakova – Piramo is originally cast also by a soprano – sounds more silvery, giving a finely dosed harmony to the duets. Both ladies look gorgeous in the luxurious costumes and give traditional gestures and choreographic sequences life and the soul.”

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Press 31 – Piramo e Tisbe – Die Presse November 13, 2016 Maria Taytakova

Die Presse | 27. 06. 2016 | Walter Weidringer

Eine Barockoper auf Punkt und Komma. Das TEATRO BAROCCO im Stift Altenburg bringt Hasses „Piramo e Tisbe“ in historischem Gewand

“Today the piece is conceived more musically – especially...

Die Presse | 27. 06. 2016 | Walter Weidringer

Eine Barockoper auf Punkt und Komma. Das TEATRO BAROCCO im Stift Altenburg bringt Hasses „Piramo e Tisbe“ in historischem Gewand

“Today the piece is conceived more musically – especially when expressive voices are in play… Maria Taytakova filled the role of Piramo, also composed for a soprano, with a lyrical emphasis.”

 

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Press 30 – Piramo e Tisbe – Premiere November 13, 2016 Maria Taytakova

Kronen Zeitung | 25. 06. 2016

Stift Altenburg: Heute Premiere von Hasses „Piramo“ in Berd R. Bienerts Regie

Kronen Zeitung | 25. 06. 2016

Stift Altenburg: Heute Premiere von Hasses „Piramo“ in Berd R. Bienerts Regie

Press 29 – Alcina – ŠDK May 22, 2016 Maria Taytakova

Operaplus.cz | 28. 02. 2016 | Pavel Unger

The huge contrast in rhythm, tempo and emotion. Marek Štryncl in Košice Opera. Baroque opera for the first time in Košice. In captivity of Alcina’s magical power.

“Witty and refreshing character...

Operaplus.cz | 28. 02. 2016 | Pavel Unger

The huge contrast in rhythm, tempo and emotion. Marek Štryncl in Košice Opera. Baroque opera for the first time in Košice. In captivity of Alcina’s magical power.

“Witty and refreshing character was conceived by the role of Oberto seeking his father among the audience at the beginning of the second act… The role of Oberto was performed by the soprano Maria Taytakova who sang it with a round chamber tone and flawless coloraturas.”

http://operaplus.cz

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PRESS 28 – Operngala Kirchstetten 2015 – Hintermayer musik October 6, 2015 Maria Taytakova

Hintermayer Music 28.9.2015

Benefiz-Konzert “Glanzstücke der Kirchstettner Oper” mit einem Weltklasseglanzstück oder “It’s a women’s world” in Kirchstetten

 

MARIA TAYTAKOVA, the acclaimed Gilda and Adina from the Klassik Festival Schloss...

Hintermayer Music 28.9.2015

Benefiz-Konzert “Glanzstücke der Kirchstettner Oper” mit einem Weltklasseglanzstück oder “It’s a women’s world” in Kirchstetten

 

MARIA TAYTAKOVA, the acclaimed Gilda and Adina from the Klassik Festival Schloss Kirchstetten. Traviata. Violetta’s great scene and aria from the 1st act. Of course, today the appearance plays an important role. The beautiful singer with an artful hairstyle and flattering robe was again a feast for the eyes. But Maria Taytakova could sing Violetta like this even in a potato sack! Again, every tone sounded, intimate, feverish, with sparkling coloratura, well seated middle position, understandable text and crystal clear highs. The soprano has a voice as beautiful as a dream with many colours; coloratura ability, spinto qualities – a Violetta of her (the role that requires two, if not even three voices) would be exciting and desirable… Her Gilda in quartet was perfect and beautiful!…The Flower Duet from “Lakme” with ELSA GIANNOULIDOU and MARIA TAYTAKOVA…Only this duet itself was the highlight of all highlights at the Kirchstetten concert. What the two singers have presented here earned the maximum number of stars. It was so infinitely vocally elaborated, dramatically touching, yet quite simple, really the highest level. Every breath came together on the split of a second and the voices sounded in harmony without equal.

 

https://www.facebook.com/notes/hintermayer-musik

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PRESS 25 – Theater Fest – L’Elisir d’amore 2015 September 5, 2015 Maria Taytakova

TV ORF NÖ

Theater Fest – L’Elisir d’amore – Schloss Kirchstetten 2015

 

G. Donizetti – L’Elisir d’amore

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi (Stage...

TV ORF NÖ

Theater Fest – L’Elisir d’amore – Schloss Kirchstetten 2015

 

G. Donizetti – L’Elisir d’amore

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi (Stage director), Etelka Polgar (Stage director assistant), Simon Schuller (Correpetitor), Gianpiera Buehlmann (Costumes), Patricia Lehner (Masks), Eva Drnek (Production), Stephan Gartner (Intendant).

 

CAST: Maria Taytakova (Adina), Matthew Peña (Nemorino), Ulf Bunde (Dulcamara), Gunyong Na (Belcore), Lenka Pavlovič (Gianetta), Edith Soukup (Maria – speaking role), Wiener Kammerchor (Peasants).

 

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PRESS 24 – L’Elisir d’amore – Schloss Kirchstetten 2015 – Schau Media September 5, 2015 Maria Taytakova

TV Shau Event-Navigator

L’Elisir d’amore – Schloss Kirchstetten 2015 – Schau

 

G. Donizetti – L’Elisir d’amore

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi...

TV Shau Event-Navigator

L’Elisir d’amore – Schloss Kirchstetten 2015 – Schau

 

G. Donizetti – L’Elisir d’amore

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi (Stage director), Etelka Polgar (Stage director assistant), Simon Schuller (Correpetitor), Gianpiera Buehlmann (Costumes), Patricia Lehner (Masks), Eva Drnek (Production), Stephan Gartner (Intendant).

 

CAST: Maria Taytakova (Adina), Matthew Peña (Nemorino), Ulf Bunde (Dulcamara), Gunyong Na (Belcore), Lenka Pavlovič (Gianetta), Edith Soukup (Maria – speaking role), Wiener Kammerchor (Peasants).

 

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PRESS 23 – TV Reportage – Elisir d´amore 2015 – ORF2 September 5, 2015 Maria Taytakova

TV ORF 2

Der Liebestrank ORF TVthek

 

Donizetti – Der Liebestrank (L’Elisir d’amore)

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi (Stage director), Etelka Polgar...

TV ORF 2

Der Liebestrank ORF TVthek

 

Donizetti – Der Liebestrank (L’Elisir d’amore)

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi (Stage director), Etelka Polgar (Stage director assistant), Simon Schuller (Correpetitor), Gianpiera Buehlmann (Costumes), Patricia Lehner (Masks), Eva Drnek (Production), Stephan Gartner (Intendant).

 

CAST: Maria Taytakova (Adina), Matthew Peña (Nemorino), Ulf Bunde (Dulcamara), Gunyong Na (Belcore), Lenka Pavlovič (Gianetta), Edith Soukup (Maria – speaking role), Wiener Kammerchor (Peasants).

 

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PRESS 22 – Elisir d´amore 2015 – Hintermayer Musik September 5, 2015 Maria Taytakova

Hintermayer Music 2.8.2015

L’elisir d’amore – Klassikfestival Schloss Kirchstetten – Kirchstetten seziert und inszeniert die Liebe

 

With Maria Taytakova we heard a great Adina last night. I have often been upset when Adina was sung by...

Hintermayer Music 2.8.2015

L’elisir d’amore – Klassikfestival Schloss Kirchstetten – Kirchstetten seziert und inszeniert die Liebe

 

With Maria Taytakova we heard a great Adina last night. I have often been upset when Adina was sung by soubrettes, too “light” voices. However, Taytakova has a wonderful, agile soprano with a sonorous middle register, magnificent legato, sparkling coloraturas and with such a warm and honeyed voice that I was very excited. In addition, she convincingly plays and looks beautiful …

 

https://www.facebook.com/notes/927689357311830/?pnref=story

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PRESS 21 – Ein „Liebestrank“ mit Weinviertler Lokalkolorit September 5, 2015 Maria Taytakova

Kurier 3 August 2015

Ein „Liebestrank“ mit Weinviertler Lokalkolorit

 

Maria Taytakova sings and plays impeccable.

 

http://www.pressreader.com/austria/kurier…

 

 

 

 

Kurier 3 August 2015

Ein „Liebestrank“ mit Weinviertler Lokalkolorit

 

Maria Taytakova sings and plays impeccable.

 

http://www.pressreader.com/austria/kurier…

 

 

 

 

PRESS 20 – Muskotályünnep – Donizetti: L’elisir d’amore – zsoly-1 September 4, 2015 Maria Taytakova

Café Momus 20.8.2015, – zsoly-

Muskotályünnep – Donizetti: L’elisir d’amore (1)

 

Thanks to the excellent role shaping of Adina by Maria Taytakova we witnessed a credible metamorphosis of the main character. In addition, the Slovak...

Café Momus 20.8.2015, – zsoly-

Muskotályünnep – Donizetti: L’elisir d’amore (1)

 

Thanks to the excellent role shaping of Adina by Maria Taytakova we witnessed a credible metamorphosis of the main character. In addition, the Slovak singer seems to be also vocally the most ideal Adina. She has a full, rich lyric soprano with reliable coloratura skills. In the first moment a regular concert-goer may get an impression that these types of voices are abundant in opera houses. However, a singer who possesses the technique and musicality of Maria Taytakova can be found rarely.

 

http://www.momus.hu/article.php?artid=6886

 

 

 

 

http://www.momus.hu/article.php?artid=6886

 

 

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PRESS 19 – Muskotályünnep – Donizetti: L’elisir d’amore – zéta-2 September 4, 2015 Maria Taytakova

Café Momus 20.8.2015, – zéta-

Muskotályünnep – Donizetti: L’elisir d’amore (2)

 

Maria Taytakova (Adina) by her spectacular performance conveyed a personal transformation of Adina when she falls in love with Nemorino and discards her...

Café Momus 20.8.2015, – zéta-

Muskotályünnep – Donizetti: L’elisir d’amore (2)

 

Maria Taytakova (Adina) by her spectacular performance conveyed a personal transformation of Adina when she falls in love with Nemorino and discards her mask. From an inaccessible business lady she becomes an attractive young woman. Besides the eye-catching acting talent the vocal stability of Maria Taytakova was one of the major gains of the whole performance.

 

http://www.momus.hu/article.php?artid=6886

 

 

 

 

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PRESS 18 – Schloss Kirchstetten: Gaetano Donizetti L’ELISIR D’AMORE September 4, 2015 Maria Taytakova

Der Neue Merker 1.8.2015

Schloss Kirchstetten: Gaetano Donizetti L’ELISIR D’AMORE

 

Adina, Maria Taytakova, the enchanting Slovak with the crystal clear voice.

 

http://www.der-neue-merker.eu/schloss-kirchstetten…

 

Der Neue Merker 1.8.2015

Schloss Kirchstetten: Gaetano Donizetti L’ELISIR D’AMORE

 

Adina, Maria Taytakova, the enchanting Slovak with the crystal clear voice.

 

http://www.der-neue-merker.eu/schloss-kirchstetten…

 

PRESS 17-Witzig gespielter „Liebestrank“ September 3, 2015 Maria Taytakova

NÖN Woche 32/2015

Witzig gespielter „Liebestrank“

 

NÖN Woche 32/2015

Witzig gespielter „Liebestrank“

 

PRESS 26 – Opern blog – Adina September 7, 2015 Maria Taytakova

Opern-blog, Klassik Festival Schloss Kirchstetten 29.7.2015

Maria Taytakova – Adina, reiche junge Pächterin

 

https://schlosskirchstetten.wordpress.com/

Opern-blog, Klassik Festival Schloss Kirchstetten 29.7.2015

Maria Taytakova – Adina, reiche junge Pächterin

 

https://schlosskirchstetten.wordpress.com/

PRESS 27 – Liebestrank – Audition September 7, 2015 Maria Taytakova

Elite on Tour 78/2015

Ein Liebestrank wird gebraut…

Elite on Tour 78/2015

Ein Liebestrank wird gebraut…

PRESS 13 – Schloss Kirchstetten – Rigoletto 3.8.2013 August 22, 2013 Maria Taytakova

Der Neue Merker 3.8.2013   

Schloss Kirchstetten: Giuseppe Verdi RIGOLETTO Premiere

 

Maria Taytakova is a pretty petite Gilda on the stage, clearly blind until Rigoletto’s revenge “opens” her eyes. Even in the last corner of Lower Austria...

Der Neue Merker 3.8.2013   

Schloss Kirchstetten: Giuseppe Verdi RIGOLETTO Premiere

 

Maria Taytakova is a pretty petite Gilda on the stage, clearly blind until Rigoletto’s revenge “opens” her eyes. Even in the last corner of Lower Austria there are small concessions to be made to the director’s theatre! However, she perfectly mastered the coloratura and the dramatic culminations.

http://www.der-neue-merker.eu/schloss-kirchstetten-giuseppe-verdi-rigoletto-premiere-3-8-2013

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PRESS 15 – Revelatív Rigoletto a kirchstetteni fesztiválon November 15, 2013 Maria Taytakova

Café Momus 28.9.2013

Revelatív Rigoletto a kirchstetteni fesztiválon

 

The director’s basic idea made from Gilda undoubtedly the main character of the entire piece, and thus placed a considerable burden on the slender shoulders of Maria...

Café Momus 28.9.2013

Revelatív Rigoletto a kirchstetteni fesztiválon

 

The director’s basic idea made from Gilda undoubtedly the main character of the entire piece, and thus placed a considerable burden on the slender shoulders of Maria Taytakova. In Taytakova’s interpretation one could see not the usual “pale and anemic prototype” of Gilda, but a creature of flesh and blood. The love duet in the first act was filled out with an amazingly happy passion, while during her aria (“Caro nome”) she led us into – in this case – an authentic dream world, which ultimately caused her own apostasy. Her role interpretation was marked not only by an immense thoroughness and depth, but also by a full-blown drama. This – given a proximity to the audience – escalated the tragedy of a young girl determined already from the “Vendetta duet” with her father.

http://www.momus.hu/article.php?artid=6607

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PRESS 12 – Trauma,Tragodie, Tod – Rigoletto 2013 August 23, 2013 Maria Taytakova

NÖN Woche 32/2013

Rigoletto – Trauma, Tragödie, Tod

 

Groβe Tragödie auf kleiner Bühne

NÖN Woche 32/2013

Rigoletto – Trauma, Tragödie, Tod

 

Groβe Tragödie auf kleiner Bühne

PRESS 14 – Rigoletto a kastélyban August 28, 2013 Maria Taytakova

Papiruszportal.hu 26.8.2013

Rigoletto a kastélyban

 

Maria Taytakova has a very strong stage personality, we were able to discern even the smallest emotional changes on her face and in her body language. She is the person whose presence on stage...

Papiruszportal.hu 26.8.2013

Rigoletto a kastélyban

 

Maria Taytakova has a very strong stage personality, we were able to discern even the smallest emotional changes on her face and in her body language. She is the person whose presence on stage always corresponds with the necessities of her role in the given situation.

http://www.papiruszportal.hu/site/?lang=1&f=3&p=9&n=14982

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PRESS 16 – Rigoletto-ELITE tours November 15, 2013 Maria Taytakova

Elite on Tour 71/2013

„Rigoletto“ in Kirchstetten

Eine groβe Vorstellung in kleinem Format

 

And Gilda? Gilda is blind, blinded by love, blinded by the danger. She experiences her first love, a love that will lead to her death. What can one...

Elite on Tour 71/2013

„Rigoletto“ in Kirchstetten

Eine groβe Vorstellung in kleinem Format

 

And Gilda? Gilda is blind, blinded by love, blinded by the danger. She experiences her first love, a love that will lead to her death. What can one say, if you still get goosebumps in almost tropical temperatures, as Gilda (grandiose sung and played by Maria Taytakova) dies in the arms of her father? The hall boils, but this time with enthusiasm and applause …

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PRESS 11 – TV spot – Klassik Festival Schloss Kirchstetten 2013 August 23, 2013 Maria Taytakova

 www.Wien4tel.tv

Klassik Festival Schloß Kirchstetten – Rigoletto 2013

 

Reportage from the general rehearsal

 

http://www.wein4tel.tv/index.php?s=videos&id=121

 www.Wien4tel.tv

Klassik Festival Schloß Kirchstetten – Rigoletto 2013

 

Reportage from the general rehearsal

 

http://www.wein4tel.tv/index.php?s=videos&id=121

Press 10 – Operngala Seitenstetten 2013 February 20, 2013 Maria Taytakova

NÖN Woche 08/2013

Verdi-Gala der Extraklasse

 

Maria Taytakova sounded exceedingly beautiful and performed the big Violetta’s aria “E strano” with plenty of nuances.

 

NÖN Woche 08/2013

Verdi-Gala der Extraklasse

 

Maria Taytakova sounded exceedingly beautiful and performed the big Violetta’s aria “E strano” with plenty of nuances.

 

Press 9 – Mozart Requiem – Pieve di Soligo December 2, 2012 mizori

Veneto Uno 17.10.2012

Mozart Requiem, Duomo, Pieve di Soligo 2012

Veneto Uno 17.10.2012

Mozart Requiem, Duomo, Pieve di Soligo 2012

Press 8 – Noordhollands Dagblad October 16, 2012 mizori

Noordhollands Dagblad

Maria Tajtakova (Taytakova) …a name to remember!…performed the role of Gilda from Rigoletto. However, what she sang was less important than how she sang it. Lively, expressively, dynamically and with beautiful coloraturas....

Noordhollands Dagblad

Maria Tajtakova (Taytakova) …a name to remember!…performed the role of Gilda from Rigoletto. However, what she sang was less important than how she sang it. Lively, expressively, dynamically and with beautiful coloraturas. She knew how to attract the attention of the audience.

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Press 7 – Nederlands Dagblad September 6, 2012 mizori

Nederlands Dagblad

Maria Tajtakova (Taytakova) excelled in Gilda with perfect intonation. Many people in the audience had goosebumps while she was singing.

Nederlands Dagblad

Maria Tajtakova (Taytakova) excelled in Gilda with perfect intonation. Many people in the audience had goosebumps while she was singing.

Press 6 – Reflexie o umení, Peter Szigety September 6, 2012 mizori

Reflexie o umení, Peter Szigety

Between the boundaries set by the invincible dramatic performances of Maria Callas and the musical and technical perfectionism of Edita Grúberová, the young Slovak soprano Mária Tajtáková (Taytakova) makes...

Reflexie o umení, Peter Szigety

Between the boundaries set by the invincible dramatic performances of Maria Callas and the musical and technical perfectionism of Edita Grúberová, the young Slovak soprano Mária Tajtáková (Taytakova) makes her own way on stage performing the main character of Donizetti’s opera Lucia di Lammermoor. Based on her impressive voice rightly ambitious and subtly beautiful singer wants nothing more and nothing less than her famous predecessor but she wants it otherwise…

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Press 4 – Učiteľské noviny September 6, 2012 mizori

Učiteľské noviny

The title role of Sandrina (Mozart: La finta giardinera) was performed by Mária Tajtáková (Taytakova), who gave a plastic shape to this character …as an actress with wit and charm.

Učiteľské noviny

The title role of Sandrina (Mozart: La finta giardinera) was performed by Mária Tajtáková (Taytakova), who gave a plastic shape to this character …as an actress with wit and charm.

Press 3 – Karlovarský dnes September 6, 2012 mizori

Karlovarský dnes

Laureats of the International Singing Competition of Antonín Dvořák 2001.

Karlovarský dnes

Laureats of the International Singing Competition of Antonín Dvořák 2001.

Press 2 – The Slovak Spectator September 5, 2012 mizori

The Slovak Spectator

Another high point of the week’s events consisted of a concert at the Mirror Room in the ancient Slovak city of Trnava, where Slovak and Russian artists – Mária Tajtáková (Taytakova), …gave an extraordinary performance....

The Slovak Spectator

Another high point of the week’s events consisted of a concert at the Mirror Room in the ancient Slovak city of Trnava, where Slovak and Russian artists – Mária Tajtáková (Taytakova), …gave an extraordinary performance.

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Press 1 – Hudobný život September 5, 2012 mizori

Hudobný život

At the beginning of the festival (Mozart Week) the Mozart’s Missa brevis in C major (Spatzenmesse) KV 220 was performed… The soloists – Mária Tajtáková (soprano)… gave an excellent, professional performance and prepared a...

Hudobný život

At the beginning of the festival (Mozart Week) the Mozart’s Missa brevis in C major (Spatzenmesse) KV 220 was performed… The soloists – Mária Tajtáková (soprano)… gave an excellent, professional performance and prepared a really nice experience to the crowded church.

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