novembre 30, 2012 mizori
PRESS 51 – BHS – Unger avril 26, 2023 Maria Taytakova

OperaSlovakia | 26. 9. 2022 | Pavel Unger

Slovak songs at BHS were an excellent dramaturgical idea

 

« The only soloist of the evening who did not need sheet music was the soprano Mária Taytaková. The fact that both performed cycles are...

OperaSlovakia | 26. 9. 2022 | Pavel Unger

Slovak songs at BHS were an excellent dramaturgical idea

 

« The only soloist of the evening who did not need sheet music was the soprano Mária Taytaková. The fact that both performed cycles are part of her new song CD Impressions does not change this matter. She chose three songs for soprano and piano, op. 3 on Rudolf Dilong’s poem Spring in the Valley by Ján Zimmer… Maria Taytakova in artistic harmony with pianist Ladislav Fančovič brought an appropriately differentiated atmosphere to the songs. The solo voice sounded in a timbre with an impressive shine not only in the highs, it attracted attention with sensitive modeling of phrases and handling of dynamic nuances. »

« In the second half of the concert, Maria Taytakova and Ladislav Fančovič returned to the stage with the song cycle for coloratura soprano and piano op. 19 The Youth on the text by Laco Novomeský, a work from the early creative period of the composer and conductor Ladislav Holoubek… In Taytakova’s interpretation, underpainted by Fančovič’s sensitive piano, we could hear not only technical confidence in the coloratura sections and a large tonal range of the cycle, but equally expressive depth in work with dynamics, revealing a close and profound symbiosis of words and music. »

https://operaslovakia.sk/slovenske-piesne-na-bhs-boli-vybornym-napadom-dramaturgie/

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PRESS 50 – Loffler muzeum – Piesne avril 26, 2023 Maria Taytakova

OperaSlovakia | 16. 11. 2022Dita Marenčinová

Song recital by Mária Tajtáková with piano accompaniment by Ladislav Fančovič

 

« M. Tajtáková handles her voice with a clear awareness of the songs message, both in the music and in...

OperaSlovakia | 16. 11. 2022Dita Marenčinová

Song recital by Mária Tajtáková with piano accompaniment by Ladislav Fančovič

 

« M. Tajtáková handles her voice with a clear awareness of the songs message, both in the music and in the text. She always adapted her expression at the concert to the mood emanating from the musical character. Her sensitive reaction to both components was omnipresent as well as intimacy and fragility in a chamber-tuned expression. Currently, he certainly belongs to the elite of Slovak concert singers. »

https://operaslovakia.sk/piesnovy-recital-marie-tajtakovej-s-klavirnym-sprievodom-ladislava-fancovica/

 

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PRESS 49 – CD – Unger avril 26, 2023 Maria Taytakova

Hudobný život | 9/2022 | Pavel Unger

CD Impressions, M. Taytakova, L. Fanzowitz, Hevhetia 2021

 

« Marie Taytakova’s lyrical soprano sounds balanced in all positions, it has a pleasant rounded colour and, thanks to her excellent breath...

Hudobný život | 9/2022 | Pavel Unger

CD Impressions, M. Taytakova, L. Fanzowitz, Hevhetia 2021

 

« Marie Taytakova’s lyrical soprano sounds balanced in all positions, it has a pleasant rounded colour and, thanks to her excellent breath technique the phrasing is fluent… The songs () have a varied atmosphere, each of them has its own poetics, which Taytakova conceived in a close creative partnership with Fanzowitz with a strong emotion, sense of chamber musicianship, plastic content reflection of lyrical, as well as, and more dramatic surges… The soprano’s intonation is clear, her voice has a warm timbre in the central register, and her piano on high notes is particularly impressive… The turn to the German-language repertoire () points to her ability to interconnect the parlando style with legato, and in addition to the strong personal contribution of the singer and the pianist, the highs notes in piano are once again the most impressive parts… In the Slovak block, Taytakova confirms her sense of expressive detailing, precise intonation even in difficult passages and excellent articulation – whether it is about capturing melancholy or sonorous beauty, or certain rhapsodic elements… »

 

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PRESS 48 – CD – Marenčinová avril 26, 2023 Maria Taytakova

OperaSlovakia | 30. 7. 2022Dita Marenčinová

The album Impressions Songs presents Slovak songwriting in the context of European music

 

 « M. Taytakova responded positively to the challenge of singing solo songs. She opened them up for...

OperaSlovakia | 30. 7. 2022Dita Marenčinová

The album Impressions Songs presents Slovak songwriting in the context of European music

 

 « M. Taytakova responded positively to the challenge of singing solo songs. She opened them up for herself and the listeners, and discovered their intimate atmosphere. This unusually beautiful atmosphere is also spread by her interpretation of all the songs from the CD album. The fragile world of the French composers’ lyrics perceives M. Taytakova extremely sensitively and respectfully as a singer. The result is vocal freshness in every song and natural expression when moving melodic lines. Fauré and Duparc’s songs act as a light breeze of musical delicacy in her performance. »

« Not only in French, but also in Slovak songs, the work with tones, the musically flawless treatment of high positions, the precision of singing in coloraturas and the sonically acceptable increase in the dramatic tension of some songs (Debussy, but also Duparc, not to mention Berg and in several places songs by Slovak authors) do impress. On the CD, M. Taytakova attracted attention by a colorfully balanced vocal fundus, sonorous voice in every position, and round tone production. The songs of Slovak composers, in texture even a bit more demanding than the French ones, did not represent an interpretation problem for the great soloist. »

https://operaslovakia.sk/album-impressions-songs-predstavuje-slovensku-piesnovu-tvorbu-v-kontexte-europskej-hudby/

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PRESS 47 -2021-Jazovia Gliwice mars 7, 2022 Maria Taytakova

Centrum Kultury Jazovia | 6.12.2021 | Kamil Rubik  Pawel Januszewski

Maria Taytakova & Ladislav Fanzowitz – angelic charm!

 

“This concert defined music that is incredibly noble, with values ​​that are reserved for only a few genres....

Centrum Kultury Jazovia | 6.12.2021 | Kamil Rubik  Pawel Januszewski

Maria Taytakova & Ladislav Fanzowitz – angelic charm!

 

“This concert defined music that is incredibly noble, with values ​​that are reserved for only a few genres. There are not many places for such tones in urban nooks. They cannot be heard at markets, supermarkets or street concerts. Such music needs atmosphere, space and the opportunity to go into its mood, into its aura at 100%. It has been today! A soprano who has a rich artistic experience on various opera stages around the world during her musical career. Maria Taytakova, a brilliant artist. Something beautiful, unseen, unusual. Compositions by Claude Debussy, Mathias Ruegg, Henri Duparc, Jan Zimmer and many others sounded like in a dream, so easily, so smoothly. The accompanist was Ladislav Fanzowitz, pianist, saxophonist, with music bound by a mental connection that cannot be disrupted. The visual dignity of the artists must also be taken into account, as can be seen in the photographs by Michał Buksa. If St. Nicholas Evening is not held every day, what do we say to St. Nicholas Evening in this style? Unique!”

https://www.facebook.com/561459797222949/posts/4435773403124883/?sfnsn=mo

 

 

 

 

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PRESS 46 -2021-Cífer 2 mars 7, 2022 Maria Taytakova

AFA – Ad fontes artis | 10/2021 | Soňa Benková

Musical autumn in Cífer

 

« Mária Tajtáková showed her singing skills here in full. She performed coloraturas with noble lightness and precision, as well as a remarkable sonority of the...

AFA – Ad fontes artis | 10/2021 | Soňa Benková

Musical autumn in Cífer

 

« Mária Tajtáková showed her singing skills here in full. She performed coloraturas with noble lightness and precision, as well as a remarkable sonority of the middle and lower register of her soprano… Mária Tajtáková led her part focused, with a wide dynamic range. Her piano, pianissimo and forte sounded ringing in the hall. She demonstrated remarkable colour, tone flexibility, lyricism as well as dramatic accents… The overall impression from the concert can be summarized in a few words: professionalism, technical, musical and interpretive maturity, beauty of sound and perfect  team-work ».

https://fmu.aku.sk/images/publikacie/AFA_102021_ISSN_2453-9694.pdf

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PRESS 45 -2021-Cífer 1 mars 7, 2022 Maria Taytakova

Tnavský Hlas | 26.10.2021 | Marián Pavlík

The autumn cycle of concerts in Cífer was underlined by the excellent performance of young artists

 

Tnavský Hlas | 26.10.2021 | Marián Pavlík

The autumn cycle of concerts in Cífer was underlined by the excellent performance of young artists

 

https://www.trnavskyhlas.sk/c/31671-jesenny-cyklus-koncertov-vciferipodciarkol-vynikajuci-vykon-mladych-umelcov

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PRESS 44 – Il buon marito – Opera online mars 7, 2022 Maria Taytakova

Opera Online |17. 7. 2019 | Dr. Helmut Christian Mayer

Baden: Benda « il buon marito » und Haydn « Arianna a Naxos »: Historischer Zauber barocker Raritäten

Das Universum der Oper

 

« Und die Gesangsstimmen lassen keine Wünsche...

Opera Online |17. 7. 2019 | Dr. Helmut Christian Mayer

Baden: Benda « il buon marito » und Haydn « Arianna a Naxos »: Historischer Zauber barocker Raritäten

Das Universum der Oper

 

« Und die Gesangsstimmen lassen keine Wünsche offen: Ausdrucksstark, mit vielen Nuancen und wunderbar phrasierend erklingt der Sopran der slowakischen Sängerin Maria Taytakova als Rosetta ».

https://www.opera-online.com/de/columns/hmayer/baden-benda-il-buon-marito-und-haydn-arianna-a-naxos-historischer-zauber-barocker-

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NÖN, Theatersommer-Kritik, 2019 (ENG) Press 40 – Il buon marito – NON 2019 août 15, 2019 Maria Taytakova

NÖN. at | 16. 7. 2019 | Michaela Fleck

Baden: Ariadne & Der gute Ehemann

Theatersommer-Kritik

 

« Große Oper im kleinen Kasten – historisch, exotisch, dramatisch, ironisch. Bravo! …Und dafür auch wieder eine Rarität ausgegraben:...

NÖN. at | 16. 7. 2019 | Michaela Fleck

Baden: Ariadne & Der gute Ehemann

Theatersommer-Kritik

 

« Große Oper im kleinen Kasten – historisch, exotisch, dramatisch, ironisch. Bravo! …Und dafür auch wieder eine Rarität ausgegraben: Georg Anton Bendas „Il buon Marito“. Das kommt in Marit Burgers historischen Rüschenärmeln, Brokatmänteln, Kniehosen und Dreispitzen als veritables Emanzipationsstück daher. Und ist dabei auch noch richtig komisch (wunderbar streng: Maria Taytakova, wunderbar zerknirscht: Pablo Cameselle). » 

https://m.noen.at/theatersommer/theatersommer-kritik-baden-ariadne-der-gute-ehemann-baden-kritik-theatersommer-154856648?fbclid=IwAR24If6UUt73oUqYl_rgCtagxAtn936VcaC-D3b7Rf4CCDwmEmDdn69vNCc

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On-line Merker, Opernkritik 2019 (ENG) PRESS 42 – Il buon marito – Online Merker août 16, 2019 Maria Taytakova

Online Merker – Die internationale Kulturplattform | 15. 7. 2019 | Udo Pacolt

BADEN/ Casino/ Teatro Barocco: DER GUTE EHEMANN von Georg Anton Benda/ ARIADNE AUF NAXOS von Joseph Haydn. Premiere

« In der Rolle der Rosetta begeisterte die...

Online Merker – Die internationale Kulturplattform | 15. 7. 2019 | Udo Pacolt

BADEN/ Casino/ Teatro Barocco: DER GUTE EHEMANN von Georg Anton Benda/ ARIADNE AUF NAXOS von Joseph Haydn. Premiere

« In der Rolle der Rosetta begeisterte die slowakische Sopranistin Maria Taytakova sowohl stimmlich wie schauspielerisch durch ihr ausgeprägtes komödiantisches Spiel. »

https://onlinemerker.com/baden-casino-teatro-barocco-der-gute-ehemann-von-georg-anton-benda-ariadne-auf-naxos-von-joseph-haydn-premiere/?fbclid=IwAR2T_uHjvdypSQo6eOGdSJ0mYWschPfabFhjPyLd1Kb625D1Vjm1wHbbQ6A

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Wiener Zeitung, Opernkritik 2019 (ENG) PRESS 43 – Il buon marito – Wiener Zeitung 2019 août 16, 2019 Maria Taytakova

Wiener Zeitung | 15. 7. 2019 | Daniel Wagner

Teatro Barocco: Putzige Musikperlen

Opernkritik

« Maria Taytakova machte als kraftvoll-gewitzte Rosetta beste Figur, der köstliche Buffo von Pablo Cameselle (Bazzotto) fügte sich in die...

Wiener Zeitung | 15. 7. 2019 | Daniel Wagner

Teatro Barocco: Putzige Musikperlen

Opernkritik

« Maria Taytakova machte als kraftvoll-gewitzte Rosetta beste Figur, der köstliche Buffo von Pablo Cameselle (Bazzotto) fügte sich in die beherzte Dynamik von Ensembleleiter Aries Caces ein. Auch in diesem Sommer ist Baden für Freunde vergessener Musikperlen eine Landpartie wert. »

http://www.wienerzeitung.at/nachrichten/kultur/buehne/2018623-Teatro-Barocco-Putzige-Musikperlen.html

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Salzburger Nachrichten, Opernkritik 2019 (ENG) Press 41 – Il buon marito – Salzburger Nachrichten 2019 août 16, 2019 Maria Taytakova

Salzburger Nachrichten | 16. 7. 2019

Oper gelingt bei Kerzenschein

« Maria Taytakova ist eine selbstbewusste Rosetta,… differenziert im Ausdruck zu, wobei auch stets ein wenig wohltuende Ironie Platz greifen darf.“

Salzburger Nachrichten | 16. 7. 2019

Oper gelingt bei Kerzenschein

« Maria Taytakova ist eine selbstbewusste Rosetta,… differenziert im Ausdruck zu, wobei auch stets ein wenig wohltuende Ironie Platz greifen darf.“

https://www.sn.at/kultur/musik/oper-gelingt-bei-kerzenschein-73474699?fbclid=IwAR1-eQYwBnCsSFVJhVbM5ZEnFkUp9skA9SObYYnRi_bIxjz86pu1VGT_9VM

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Press 39 – Alcina – Praha 2017 janvier 9, 2018 Maria Taytakova

Operaplus.cz | 11. 10. 2017 | Olga Jnáčková

Alcina from Košice at the Festival Opera 2017

 

« Especially towards the end of opera the attention was caught by the colourful and round voice of Maria Taytakova in the role of Oberto ».

Operaplus.cz | 11. 10. 2017 | Olga Jnáčková

Alcina from Košice at the Festival Opera 2017

 

« Especially towards the end of opera the attention was caught by the colourful and round voice of Maria Taytakova in the role of Oberto ».

https://operaplus.cz/kosicka-alcina-festivalu-opera-2017/

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Press 36 – Zázračné momenty na javisku juin 28, 2017 Maria Taytakova

Kukninato.sk | 07. 03. 2017

INTERVIEW – Maria Taytakova: Zázračné momenty na javisku

Mária Tajtáková (vystupuje ako Maria Taytakova) patrí medzi operné hviezdy, ktoré šíria dobré meno Slovenska v zahraničí. Je známa po...

Kukninato.sk | 07. 03. 2017

INTERVIEW – Maria Taytakova: Zázračné momenty na javisku

Mária Tajtáková (vystupuje ako Maria Taytakova) patrí medzi operné hviezdy, ktoré šíria dobré meno Slovenska v zahraničí. Je známa po celom svete. Debutovala v úlohe Lucie di Lammermoor v rovnomennej Donizettiho opere v Štátnom divadle v Košiciach v roku 2009. Odtiaľ ju jej lyricko-koloratúrny soprán zaviedol do Talianska, Nemecka, Rakúska i Japonska. V Taliansku očarila v úlohe Musetty (G. Puccini: La Bohème), v Rakúsku zaujala ako Gilda (G. Verdi: Rigoletto), Adina (G. Donizetti: Elisir d’amore) a Piramo (J. A Hasse: Piramo e Tisbe), v Nemecku, Rakúsku a Japonsku si podmanila koncertné pódia, no nevyhýba sa ani účinkovaniu na Slovensku, kde stvárnila ďalšie úlohy ako Najade (R. Strauss: Aridane auf Naxos) a Oberto (G.F. Händel: Alcina). Kritika o nej píše v superlatívoch a okrem krásneho hlasu a elegantného speváckeho prejavu vyzdvihuje aj jej hereckú expresívnosť.“

https://www.kukninato.sk/rozhovor/maria-taytakova-zazracne-momenty-na-javisku/

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Press 37 – Čo ma na opere baví juin 28, 2017 Maria Taytakova

WomanMan.sk | 02. 03. 2017

INTERVIEW – Mária Tajtáková: Čo ma na opere najviac baví

„Operná hviezda Mária TAJTÁKOVÁ je známa po celom svete. Debutovala v Štátnom divadle v Košiciach, odkiaľ pochádza. Hoci sa o tom...

WomanMan.sk | 02. 03. 2017

INTERVIEW – Mária Tajtáková: Čo ma na opere najviac baví

„Operná hviezda Mária TAJTÁKOVÁ je známa po celom svete. Debutovala v Štátnom divadle v Košiciach, odkiaľ pochádza. Hoci sa o tom u nás málo vie, odvtedy jej tlieskalo publikum napríklad v Rakúsku, Taliansku, Nemecku i v Japonsku.“

http://www.womanman.sk/maria-tajtakova-co-ma-na-opere-bavi-najviac/

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Press 38 août 18, 2017 Maria Taytakova

Opern-blog | Le Donne di Kirchstetten… Vol. 2 | 12. 12. 2016

MARIA TAYTAKOVA  …Esprit de Charme, Stil und Glamour!

LE DONNE DI KIRCHSTETTEN… Vol. 2

« im heutigen Kapitel unseres aktuellen, vierteiligen KlassikFestival Schloss...

Opern-blog | Le Donne di Kirchstetten… Vol. 2 | 12. 12. 2016

MARIA TAYTAKOVA  …Esprit de Charme, Stil und Glamour!

LE DONNE DI KIRCHSTETTEN… Vol. 2

« im heutigen Kapitel unseres aktuellen, vierteiligen KlassikFestival Schloss Kirchstetten-Blogs möchten wir Ihre Aufmerksamkeit auf die großartige slowakische Opern- und Konzertsängerin Maria Taytakova lenken… »

https://schlosskirchstetten.wordpress.com/2016/12/12/le-donne-di-kirchstetten-vol-2/

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Press 35 – ORF – Piramo e Tisbe novembre 13, 2016 Maria Taytakova

ORF NÖ | Theaterfest Niederösterreich | 30. 06. 2016

TEATRO BAROCCO – Piramo e Tisbe – Stift Altenburg 2016

Maria Taytakova as Piramo in Bernd Bienert’s production  of  Piramo e Tisbe by Johann Adolf Hasse TEATRO BAROCCO, Stift Altenburg...

ORF NÖ | Theaterfest Niederösterreich | 30. 06. 2016

TEATRO BAROCCO – Piramo e Tisbe – Stift Altenburg 2016

Maria Taytakova as Piramo in Bernd Bienert’s production  of  Piramo e Tisbe by Johann Adolf Hasse TEATRO BAROCCO, Stift Altenburg 2016

Premiere (25.06.2016)

CAST: Maria Taytakova (Piramo), Megan Kahts (Tisbe), Peter Widholz (Tisbe’s father), Gabriel Wanka (Lion), Emanuel Schmelzer-Ziringer (Conductor and cembalo), Bernd R. Bienert (Intendant and stage director).

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Press 34 – Piramo e Tisbe – Kronen Zeitung novembre 13, 2016 Maria Taytakova

Kronen Zeitung | 27. 06. 2016 | Karlheinz Roschitz

Der Zauber barocker Tragödie 

“The two sopranos, the South African Megan Kahts as Tisbe and the Slovakian Maria Taytakova as Piramo, dominate the scene bravely: their often very long...

Kronen Zeitung | 27. 06. 2016 | Karlheinz Roschitz

Der Zauber barocker Tragödie 

“The two sopranos, the South African Megan Kahts as Tisbe and the Slovakian Maria Taytakova as Piramo, dominate the scene bravely: their often very long recitatives have life, their da-capo arias show imposing force and tension, their coloraturas, on which Hasse – also because of his wife, the famous diva Faustina Bordini – never saved, seductively sparkle.”

 

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Press 33 – Piramo e Tisbe – Der Neue Merker novembre 13, 2016 Maria Taytakova

Der Neue Merker | 09. 07. 2016 | Udo Pacolt

ALTENBURG/ Stift: Piramo e Tisbe von Johann Adolf Hasse

“The opera by Hasse was a musical enjoyment of art also due to the small ensemble of singers and the orchestra who came up with an...

Der Neue Merker | 09. 07. 2016 | Udo Pacolt

ALTENBURG/ Stift: Piramo e Tisbe von Johann Adolf Hasse

“The opera by Hasse was a musical enjoyment of art also due to the small ensemble of singers and the orchestra who came up with an excellent performance… the Slovak soprano Maria Taytakova as Piramo performed in a female costume, as it was common in the Baroque period. She shined through the versatile expression of her soprano. The three duets were sung with a vocally wonderful harmony… The enthusiastic audience rewarded all artists for their impressive performance with a frenetic, not ending, applause including several « Brava » for the two sopranos.”

 

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Press 32 – Piramo e Tisbe – Kurier novembre 13, 2016 Maria Taytakova

Kurier | 27. 06. 2016 | Barbara Pálffy

TEATRO BAROCCO Liebestragödie im Altenburger Schauderwald: „Piramo e Tisbe“ 

“The elegantly guided voice of Maria Taytakova – Piramo is originally cast also by a soprano – sounds more...

Kurier | 27. 06. 2016 | Barbara Pálffy

TEATRO BAROCCO Liebestragödie im Altenburger Schauderwald: „Piramo e Tisbe“ 

“The elegantly guided voice of Maria Taytakova – Piramo is originally cast also by a soprano – sounds more silvery, giving a finely dosed harmony to the duets. Both ladies look gorgeous in the luxurious costumes and give traditional gestures and choreographic sequences life and the soul.”

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Press 31 – Piramo e Tisbe – Die Presse novembre 13, 2016 Maria Taytakova

Die Presse | 27. 06. 2016 | Walter Weidringer

Eine Barockoper auf Punkt und Komma. Das TEATRO BAROCCO im Stift Altenburg bringt Hasses „Piramo e Tisbe“ in historischem Gewand

« Today the piece is conceived more musically – especially...

Die Presse | 27. 06. 2016 | Walter Weidringer

Eine Barockoper auf Punkt und Komma. Das TEATRO BAROCCO im Stift Altenburg bringt Hasses „Piramo e Tisbe“ in historischem Gewand

« Today the piece is conceived more musically – especially when expressive voices are in play… Maria Taytakova filled the role of Piramo, also composed for a soprano, with a lyrical emphasis. »

 

 

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Press 30 – Piramo e Tisbe – Premiere novembre 13, 2016 Maria Taytakova

Kronen Zeitung | 25. 06. 2016

Stift Altenburg: Heute Premiere von Hasses „Piramo“ in Berd R. Bienerts Regie

Kronen Zeitung | 25. 06. 2016

Stift Altenburg: Heute Premiere von Hasses „Piramo“ in Berd R. Bienerts Regie

Press 29 – Alcina – ŠDK mai 22, 2016 Maria Taytakova

Operaplus.cz | 28. 02. 2016 | Pavel Unger

The huge contrast in rhythm, tempo and emotion. Marek Štryncl in Košice Opera. Baroque opera for the first time in Košice. In captivity of Alcina’s magical power.

« Witty and refreshing character...

Operaplus.cz | 28. 02. 2016 | Pavel Unger

The huge contrast in rhythm, tempo and emotion. Marek Štryncl in Košice Opera. Baroque opera for the first time in Košice. In captivity of Alcina’s magical power.

« Witty and refreshing character was conceived by the role of Oberto seeking his father among the audience at the beginning of the second act… The role of Oberto was performed by the soprano Maria Taytakova who sang it with a round chamber tone and flawless coloraturas. »

http://operaplus.cz

 

 

 

 

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PRESS 28 – Operngala Kirchstetten 2015 – Hintermayer musik octobre 6, 2015 Maria Taytakova

Hintermayer Music | 28.9.2015 | Alexandra Zumoberhaus

Benefiz-Konzert « Glanzstücke der Kirchstettner Oper » mit einem Weltklasseglanzstück oder « It’s a women’s world » in Kirchstetten

 

MARIA TAYTAKOVA, the acclaimed Gilda and Adina...

Hintermayer Music | 28.9.2015 | Alexandra Zumoberhaus

Benefiz-Konzert « Glanzstücke der Kirchstettner Oper » mit einem Weltklasseglanzstück oder « It’s a women’s world » in Kirchstetten

 

MARIA TAYTAKOVA, the acclaimed Gilda and Adina from the Klassik Festival Schloss Kirchstetten. Traviata. Violetta’s great scene and aria from the 1st act. Of course, today the appearance plays an important role. The beautiful singer with an artful hairstyle and flattering robe was again a feast for the eyes. But Maria Taytakova could sing Violetta like this even in a potato sack! Again, every tone sounded, intimate, feverish, with sparkling coloratura, well seated middle position, understandable text and crystal clear highs. The soprano has a voice as beautiful as a dream with many colours; coloratura ability, spinto qualities – a Violetta of her (the role that requires two, if not even three voices) would be exciting and desirable… Her Gilda in quartet was perfect and beautiful!…The Flower Duet from « Lakme » with ELSA GIANNOULIDOU and MARIA TAYTAKOVA…Only this duet itself was the highlight of all highlights at the Kirchstetten concert. What the two singers have presented here earned the maximum number of stars. It was so infinitely vocally elaborated, dramatically touching, yet quite simple, really the highest level. Every breath came together on the split of a second and the voices sounded in harmony without equal.

 

https://www.facebook.com/notes/hintermayer-musik

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PRESS 25 – Theater Fest – L’Elisir d’amore 2015 septembre 5, 2015 Maria Taytakova

TV ORF NÖ

Theater Fest – L’Elisir d’amore – Schloss Kirchstetten 2015

 

G. Donizetti – L’Elisir d’amore

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi (Stage...

TV ORF NÖ

Theater Fest – L’Elisir d’amore – Schloss Kirchstetten 2015

 

G. Donizetti – L’Elisir d’amore

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi (Stage director), Etelka Polgar (Stage director assistant), Simon Schuller (Correpetitor), Gianpiera Buehlmann (Costumes), Patricia Lehner (Masks), Eva Drnek (Production), Stephan Gartner (Intendant).

 

CAST: Maria Taytakova (Adina), Matthew Peña (Nemorino), Ulf Bunde (Dulcamara), Gunyong Na (Belcore), Lenka Pavlovič (Gianetta), Edith Soukup (Maria – speaking role), Wiener Kammerchor (Peasants).

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PRESS 24 – L’Elisir d’amore – Schloss Kirchstetten 2015 – Schau Media septembre 5, 2015 Maria Taytakova

TV Shau Event-Navigator

L’Elisir d’amore – Schloss Kirchstetten 2015 – Schau

 

G. Donizetti – L’Elisir d’amore

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi...

TV Shau Event-Navigator

L’Elisir d’amore – Schloss Kirchstetten 2015 – Schau

 

G. Donizetti – L’Elisir d’amore

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi (Stage director), Etelka Polgar (Stage director assistant), Simon Schuller (Correpetitor), Gianpiera Buehlmann (Costumes), Patricia Lehner (Masks), Eva Drnek (Production), Stephan Gartner (Intendant).

 

CAST: Maria Taytakova (Adina), Matthew Peña (Nemorino), Ulf Bunde (Dulcamara), Gunyong Na (Belcore), Lenka Pavlovič (Gianetta), Edith Soukup (Maria – speaking role), Wiener Kammerchor (Peasants).

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PRESS 23 – TV Reportage – Elisir d´amore 2015 – ORF2 septembre 5, 2015 Maria Taytakova

TV ORF 2

Der Liebestrank ORF TVthek

 

Donizetti – Der Liebestrank (L’Elisir d’amore)

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi (Stage director), Etelka Polgar...

TV ORF 2

Der Liebestrank ORF TVthek

 

Donizetti – Der Liebestrank (L’Elisir d’amore)

Maria Taytakova as Adina

Klassik Festival Schloss Kirchstetten

Premiere (31.07.2015)

Hooman Khalatbari (Conductor), Csaba Némedi (Stage director), Etelka Polgar (Stage director assistant), Simon Schuller (Correpetitor), Gianpiera Buehlmann (Costumes), Patricia Lehner (Masks), Eva Drnek (Production), Stephan Gartner (Intendant).

 

CAST: Maria Taytakova (Adina), Matthew Peña (Nemorino), Ulf Bunde (Dulcamara), Gunyong Na (Belcore), Lenka Pavlovič (Gianetta), Edith Soukup (Maria – speaking role), Wiener Kammerchor (Peasants).

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PRESS 22 – Elisir d´amore 2015 – Hintermayer Musik septembre 5, 2015 Maria Taytakova

Hintermayer Music | 2.8.2015 | Alexandra Zumoberhaus

L’elisir d’amore – Klassikfestival Schloss Kirchstetten – Kirchstetten seziert und inszeniert die Liebe

 

With Maria Taytakova we heard a great Adina last night. I have often been upset when...

Hintermayer Music | 2.8.2015 | Alexandra Zumoberhaus

L’elisir d’amore – Klassikfestival Schloss Kirchstetten – Kirchstetten seziert und inszeniert die Liebe

 

With Maria Taytakova we heard a great Adina last night. I have often been upset when Adina was sung by soubrettes, too “light” voices. However, Taytakova has a wonderful, agile soprano with a sonorous middle register, magnificent legato, sparkling coloraturas and with such a warm and honeyed voice that I was very excited. In addition, she convincingly plays and looks beautiful …

 

https://www.facebook.com/notes/927689357311830/?pnref=story

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PRESS 21 – Ein „Liebestrank“ mit Weinviertler Lokalkolorit septembre 5, 2015 Maria Taytakova

Kurier 3 August 2015

Ein „Liebestrank“ mit Weinviertler Lokalkolorit

 

Maria Taytakova sings and plays impeccable.

 

http://www.pressreader.com/austria/kurier…

 

Kurier 3 August 2015

Ein „Liebestrank“ mit Weinviertler Lokalkolorit

 

Maria Taytakova sings and plays impeccable.

 

http://www.pressreader.com/austria/kurier…

 

PRESS 20 – Muskotályünnep – Donizetti: L’elisir d’amore – zsoly-1 septembre 4, 2015 Maria Taytakova

Café Momus 20.8.2015, – zsoly-

Muskotályünnep – Donizetti: L’elisir d’amore (1)

 

Thanks to the excellent role shaping of Adina by Maria Taytakova we witnessed a credible metamorphosis of the main character. In addition, the Slovak...

Café Momus 20.8.2015, – zsoly-

Muskotályünnep – Donizetti: L’elisir d’amore (1)

 

Thanks to the excellent role shaping of Adina by Maria Taytakova we witnessed a credible metamorphosis of the main character. In addition, the Slovak singer seems to be also vocally the most ideal Adina. She has a full, rich lyric soprano with reliable coloratura skills. In the first moment a regular concert-goer may get an impression that these types of voices are abundant in opera houses. However, a singer who possesses the technique and musicality of Maria Taytakova can be found rarely.

 

http://www.momus.hu/article.php?artid=6886

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PRESS 19 – Muskotályünnep – Donizetti: L’elisir d’amore – zéta-2 septembre 4, 2015 Maria Taytakova

Café Momus 20.8.2015, – zéta-

Muskotályünnep – Donizetti: L’elisir d’amore (2)

 

Maria Taytakova (Adina) by her spectacular performance conveyed a personal transformation of Adina when she falls in love with Nemorino and discards her...

Café Momus 20.8.2015, – zéta-

Muskotályünnep – Donizetti: L’elisir d’amore (2)

 

Maria Taytakova (Adina) by her spectacular performance conveyed a personal transformation of Adina when she falls in love with Nemorino and discards her mask. From an inaccessible business lady she becomes an attractive young woman. Besides the eye-catching acting talent the vocal stability of Maria Taytakova was one of the major gains of the whole performance.

 

http://www.momus.hu/article.php?artid=6886

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PRESS 18 – Schloss Kirchstetten: Gaetano Donizetti L’ELISIR D’AMORE septembre 4, 2015 Maria Taytakova

Der Neue Merker 1.8.2015

Schloss Kirchstetten: Gaetano Donizetti L’ELISIR D’AMORE

 

Adina, Maria Taytakova, the enchanting Slovak with the crystal clear voice.

 

http://www.der-neue-merker.eu/schloss-kirchstetten…

 

Der Neue Merker 1.8.2015

Schloss Kirchstetten: Gaetano Donizetti L’ELISIR D’AMORE

 

Adina, Maria Taytakova, the enchanting Slovak with the crystal clear voice.

 

http://www.der-neue-merker.eu/schloss-kirchstetten…

 

PRESS 17-Witzig gespielter „Liebestrank“ septembre 3, 2015 Maria Taytakova

NÖN Woche 32/2015

Witzig gespielter „Liebestrank“

NÖN Woche 32/2015

Witzig gespielter „Liebestrank“

PRESS 26 – Opern blog – Adina septembre 7, 2015 Maria Taytakova

Opern-blog, Klassik Festival Schloss Kirchstetten 29.7.2015

Maria Taytakova – Adina, reiche junge Pächterin

 

https://schlosskirchstetten.wordpress.com/

Opern-blog, Klassik Festival Schloss Kirchstetten 29.7.2015

Maria Taytakova – Adina, reiche junge Pächterin

 

https://schlosskirchstetten.wordpress.com/

PRESS 27 – Liebestrank – Audition septembre 7, 2015 Maria Taytakova

Elite on Tour 78/2015

Ein Liebestrank wird gebraut…

Elite on Tour 78/2015

Ein Liebestrank wird gebraut…

PRESS 13 – Schloss Kirchstetten – Rigoletto 3.8.2013 août 22, 2013 Maria Taytakova

Der Neue Merker 3.8.2013

Schloss Kirchstetten: Giuseppe Verdi RIGOLETTO Premiere

 

Maria Taytakova is a pretty petite Gilda on the stage, clearly blind until Rigoletto’s revenge « opens » her eyes. Even in the last corner of Lower Austria...

Der Neue Merker 3.8.2013

Schloss Kirchstetten: Giuseppe Verdi RIGOLETTO Premiere

 

Maria Taytakova is a pretty petite Gilda on the stage, clearly blind until Rigoletto’s revenge « opens » her eyes. Even in the last corner of Lower Austria there are small concessions to be made to the director’s theatre! However, she perfectly mastered the coloratura and the dramatic culminations.

http://www.der-neue-merker.eu/schloss-kirchstetten-giuseppe-verdi-rigoletto-premiere-3-8-2013

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PRESS 15 – Revelatív Rigoletto a kirchstetteni fesztiválon novembre 15, 2013 Maria Taytakova

Café Momus 28.9.2013

Revelatív Rigoletto a kirchstetteni fesztiválon

 

The director’s basic idea made from Gilda undoubtedly the main character of the entire piece, and thus placed a considerable burden on the slender shoulders of Maria...

Café Momus 28.9.2013

Revelatív Rigoletto a kirchstetteni fesztiválon

 

The director’s basic idea made from Gilda undoubtedly the main character of the entire piece, and thus placed a considerable burden on the slender shoulders of Maria Taytakova. In Taytakova’s interpretation one could see not the usual “pale and anemic prototype” of Gilda, but a creature of flesh and blood. The love duet in the first act was filled out with an amazingly happy passion, while during her aria (“Caro nome ») she led us into – in this case – an authentic dream world, which ultimately caused her own apostasy. Her role interpretation was marked not only by an immense thoroughness and depth, but also by a full-blown drama. This – given a proximity to the audience – escalated the tragedy of a young girl determined already from the « Vendetta duet » with her father.

http://www.momus.hu/article.php?artid=6607

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PRESS 12 – Trauma,Tragodie, Tod – Rigoletto 2013 août 23, 2013 Maria Taytakova

NÖN Woche 32/2013

Rigoletto – Trauma, Tragödie, Tod

 

Groβe Tragödie auf kleiner Bühne

NÖN Woche 32/2013

Rigoletto – Trauma, Tragödie, Tod

 

Groβe Tragödie auf kleiner Bühne

PRESS 14 – Rigoletto a kastélyban août 28, 2013 Maria Taytakova

Papiruszportal.hu 26.8.2013

Rigoletto a kastélyban

 

Maria Taytakova has a very strong stage presence, we were able to discern even the smallest emotional changes on her face and in her body language. She is the person whose presence on stage...

Papiruszportal.hu 26.8.2013

Rigoletto a kastélyban

 

Maria Taytakova has a very strong stage presence, we were able to discern even the smallest emotional changes on her face and in her body language. She is the person whose presence on stage always corresponds with the necessities of her role in the given situation.

http://www.papiruszportal.hu/site/?lang=1&f=3&p=9&n=14982

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PRESS 16 – Rigoletto-ELITE tours novembre 15, 2013 Maria Taytakova

Elite on Tour 71/2013

„Rigoletto“ in Kirchstetten

Eine groβe Vorstellung in kleinem Format

 

And Gilda? Gilda is blind, blinded by love, blinded by the danger. She experiences her first love, a love that will lead to her death. What can one...

Elite on Tour 71/2013

„Rigoletto“ in Kirchstetten

Eine groβe Vorstellung in kleinem Format

 

And Gilda? Gilda is blind, blinded by love, blinded by the danger. She experiences her first love, a love that will lead to her death. What can one say, if you still get goosebumps in almost tropical temperatures, as Gilda (grandiose sung and played by Maria Taytakova) dies in the arms of her father? The hall boils, but this time with enthusiasm and applause …

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PRESS 11 – TV spot – Klassik Festival Schloss Kirchstetten 2013 août 23, 2013 Maria Taytakova

www.Wien4tel.tv

Klassik Festival Schloß Kirchstetten – Rigoletto 2013

 

Reportage from the general rehearsal

 

http://www.wein4tel.tv/index.php?s=videos&id=121

www.Wien4tel.tv

Klassik Festival Schloß Kirchstetten – Rigoletto 2013

 

Reportage from the general rehearsal

 

http://www.wein4tel.tv/index.php?s=videos&id=121

Press 10 – Operngala Seitenstetten 2013 février 20, 2013 Maria Taytakova

NÖN Woche 08/2013

Verdi-Gala der Extraklasse

 

Maria Taytakova sounded exceedingly beautiful and performed the big Violetta’s aria « E strano » with plenty of nuances.

NÖN Woche 08/2013

Verdi-Gala der Extraklasse

 

Maria Taytakova sounded exceedingly beautiful and performed the big Violetta’s aria « E strano » with plenty of nuances.

Press 9 – Mozart Requiem – Pieve di Soligo décembre 2, 2012 mizori

Veneto Uno 17.10.2012

Mozart Requiem, Duomo, Pieve di Soligo 2012

Veneto Uno 17.10.2012

Mozart Requiem, Duomo, Pieve di Soligo 2012

Press 8 – Noordhollands Dagblad octobre 16, 2012 mizori

Noordhollands Dagblad

Maria Tajtakova (Taytakova)… un nom à ne pas oublier ! …Elle vient d´interpréter Gilda dans Rigoletto. Sa maîtrise technique est reléguée au second plan par la force de son interprétation. Incarnée, expressive,...

Noordhollands Dagblad

Maria Tajtakova (Taytakova)… un nom à ne pas oublier ! …Elle vient d´interpréter Gilda dans Rigoletto. Sa maîtrise technique est reléguée au second plan par la force de son interprétation. Incarnée, expressive, dynamique avec de très belles coloratures. Le public a été conquis.

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Press 7 – Nederlands Dagblad septembre 6, 2012 mizori

Nederlands Dagblad

Maria Tajtakova (Taytakova) a excellé dans le rôle de Gilda avec une intonation parfaite. Nombreux sont ceux qui en ont eu des frissons.

Nederlands Dagblad

Maria Tajtakova (Taytakova) a excellé dans le rôle de Gilda avec une intonation parfaite. Nombreux sont ceux qui en ont eu des frissons.

Press 6 – Reflexie o umení, Peter Szigety septembre 6, 2012 mizori

Reflexie o umení, Peter Szigety

Inspirée des modèles de puissance dramatique telle que Maria Callas et de perfection technique telle que Edita Gruberova, Maria Tajtakova (Taytakova) fait son chemin sur scène en incarnant le rôle principal de...

Reflexie o umení, Peter Szigety

Inspirée des modèles de puissance dramatique telle que Maria Callas et de perfection technique telle que Edita Gruberova, Maria Tajtakova (Taytakova) fait son chemin sur scène en incarnant le rôle principal de l´opéra Lucia di Lammermoor de Donizetti. Portée par son imposante force vocale, la belle et subtile jeune soprano slovaque n´ambitionne ni plus ni moins que ses illustres prédécesseurs, mais autrement…

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Press 4 – Učiteľské noviny septembre 6, 2012 mizori

Učiteľské noviny

Dans le rôle principal de Sandrina (Mozart: La Finta giardinera), Maria Tajtakova (Taytakova) a incarné son personnage avec une richesse d´expressions empreintes de charme et d´humour.

Učiteľské noviny

Dans le rôle principal de Sandrina (Mozart: La Finta giardinera), Maria Tajtakova (Taytakova) a incarné son personnage avec une richesse d´expressions empreintes de charme et d´humour.

Press 3 – Karlovarský dnes septembre 6, 2012 mizori

Karlovarský dnes

Lauréats du Concours International de Chant d’Antonín Dvořák 2001.

Karlovarský dnes

Lauréats du Concours International de Chant d’Antonín Dvořák 2001.

Press 2 – The Slovak Spectator septembre 5, 2012 mizori

The Slovak Spectator

Un autre grand moment des spectacles de cette semaine a été le concert de la salle des glaces dans la ville historique de Trnava, oú des artistes russes et slovaques – Mária Tajtáková (Taytakova) soprano,… ont offert...

The Slovak Spectator

Un autre grand moment des spectacles de cette semaine a été le concert de la salle des glaces dans la ville historique de Trnava, oú des artistes russes et slovaques – Mária Tajtáková (Taytakova) soprano,… ont offert des moments exceptionnels.

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Press 1 – Hudobný život septembre 5, 2012 mizori

Hudobný život

Le Festival “La semaine Mozart” s´est ouvert sur Missa brevis en do majeur (Spatzenmesse) KV 220 de W. A. Mozart. … Les interprètes – parmi lesquels Mária Tajtáková (soprano) … ont offert une excellente prestation qui...

Hudobný život

Le Festival “La semaine Mozart” s´est ouvert sur Missa brevis en do majeur (Spatzenmesse) KV 220 de W. A. Mozart. … Les interprètes – parmi lesquels Mária Tajtáková (soprano) … ont offert une excellente prestation qui a conquis tout l´auditoire.

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